May 23, 2013

Calling All Power Pop Bands — Indy Rock Live Wants to Book You!

Greetings indie bands far and wide. Would you consider what you do even remotely power pop? Do you push the guitar crunch, sweet melodies, and earworm hooks designed to make heads bob and feet tap? Caught yourself worshiping at the altars of Big Star, Cheap Trick, Jellyfish, The Posies, and Sloan? Have you found yourself traveling between St. Louis and Detroit, or between Chicago and Nashville, wishing you had another show on the calendar but not sure who to call?

To borrow a phrase from an idiosyncratic Indianapolis jeweler, you’ve got a friend in the power pop business.

Indy Rock Live wants to book you! Indianapolis has a vibrant live music scene, which we can help you tap into. Our goal is simple: We want to help spread your music to the wonderful citizens of the circle city.

Contact us today if you’re considering a tour in 2013. We love what you do and want to help however we can.

Regards,
Jeremy

Fresh Droppings: Ken Stringfellow – Danzig in the Moonlight

Eight years have passed since Ken Stringfellow‘s last full solo album, Soft Commands. In that time, he’s released an EP, put out a new Posies record, formed the Disciplines and released two albums, produced numerous other artists, toured the world, played some tennis, and who knows what else. After so many busy years, Stringfellow finally has another solo album set for release on October 9.

It was more than worth the wait. Danzig in the Moonlight is a stunning 14-song opus from a restless artist pushing the boundaries of traditionally defined musical genres.

For more than 55 minutes, Stringfellow bounces between styles cobbling together elements from glam, Americana, classic soul and R&B, pop, and art rock. Pieces are layered on top of each other so songs that start in one direction often end up somewhere unexpected. Opener Jesus Was An Only Child begins as a quiet, introspective lullaby before exploding into a menacing glam groover. Superwise starts with a retro sci-fi beat but ends as harmony drenched, melancholy pop.

The sequencing of the album seems designed to keep you on your toes. But that unexpectedness is part of what makes Danzig so exciting. Drop Your Pride, a bombastic surge of horns and show tunes melodrama, is followed by the mellow soul, Lover’s Hymn-like (from 2001′s Touched) Pray.

The song that had my jaw hanging open the farthest was Shittalkers. The song surges on waves of emotion, and Stringfellow’s voice is so powerful and emphatic — just try not to hit repeat after your first listen to that one.

Danzig ends with the calming, pop beauty of You’re A Sign, and it’s closing notes are a sign that you’ve experienced one of the most fulfilling albums of the year. Few albums take you on such a satisfying journey. I didn’t know if Stringfellow could top Touched — one of my all-time favorite albums — but in terms of scope, he may have. Danzig in the Moonlight is majestic.

Stuck on Repeat: Reveal Love by Saltine (Ken Stringfellow)

It’s no secret the Posies are my favorite band. But the work of Jon Auer and Ken Stringfellow in between Posies get-togethers is equally strong. Jon’s Songs From the Year of Our Demise is fantastic, and Ken’s Touched is one of my all-time favorite albums.

After the Posies first attempt at calling it quits — a decision that fortunately didn’t stick — Ken formed a new, short-lived band called Saltine. In 1999, the band released the Find Yourself Alone EP that included Reveal Love, a song that I’ve been known to play on repeat for up to an hour.

The song — about the games people play searching for love and the damage we inflict in the process — is a little-known classic. Ken’s voice alternates between longing, resignation, and anger, and the lyrics are heartbreaking.

Ken re-recorded a more intimate version of the song for Touched, but I prefer the emotional peaks and power of this version. Give it a listen.

The Birthday Chatterbox: Jon Auer (The Posies)

Welcome to The Birthday Chatterbox, a new feature here on Indy Rock Live.

Today’s Birthday – Jon Auer of The Posies

Anyone who knows me is aware that my favorite band ever is The Posies. Jon Auer is 1/2 of the songwriting genius behind the legendary band (Ken Stringfellow the other half) and responsible for so many of their great songs.

So, Happy Birthday, Jon!

Your turn. Are you a Posies fan? Love Jon’s solo work, too? What’s your favorite Jon song?

Mine — I’ll go with a three-way tie between Fight It (If You Want) and Throwaway from Amazing Disgrace, or Sundown from his brilliant solo album, Songs From the Year of Our Demise.

Post your comments below!

Five Concerts That Shaped Me

I have seen my share of shows over the years. The question I’m often asked is, “What is your favorite show?” Not a question with an easy answer. In fact, my response tends to change depending on my mood. What I can pinpoint are the shows that have informed my outlook. Some might even surprise you. Below are five concerts shaped my love of live music:

1) Barry Manilow at the Hollywood, FL Sportatorium, 1980 – Laugh all you want. It was my first concert and I was 6 years old. The Sportatorium was a giant barn with bad acoustics and terrible parking. But it was one of the few places large enough to hold a megastar, circa 1980, with a deep catalog of schmaltz to make the ladies swoon.

2) Billy Joel, Somewhere in South Florida, 1984 – Billy Joel could have been a member of my family, considering how often I saw him as a kid. Every two years he’d come back around, and my family would be there. I can’t recall the location of this show – my first dance at an Italian Restaurant with the Innocent Man – but I do remember sitting in the balcony and going apeshit when Joel kicked into Only the Good Die Young.

3) Queensryche, Miami Arena, 1991 – Arena rock from masters of bombast. It was the Empire tour but the band played Operation: Mindcrime in its’ entirety. Awesome. But the most memorable part of the experience was when my friend Dan and I brokered a deal for tickets from a scalper. Upon asking the fine gentleman if the seats were close to the stage, the man said, “You’re so close the muthafucka goin’ to spit on you.” Good enough.

4) Nirvana and the Breeders, Bayfront Park, Miami, 1993 – The Breeders were a nice opener, but it was Kurt and Co. that brought the fury. This was the show that introduced me to music as catharsis. My ears rang for days.

5) The Posies, Schubas, Chicago, 2000 – My favorite band of all time. I’d seen them play a short set once before, at SXSW just before the release of Amazing Disgrace. I figured I’d have more opportunities, yet somehow they didn’t happen and the band broke up. But then Jon Auer and Ken Stringfellow, the two singer/songwriters of the band, got back together for an acoustic tour. They stopped in Chicago and I was there. Watching them that night was one of those moments when you realize how far you’re willing to go to see the music you love in a live setting.

Go to a show. Your soul will thank you for it.