May 25, 2013

Yappin’ with: The Kingston Springs

Tennessee band The Kingston Springs recently brought their righteous rock show through Indianapolis, blowing the paint off the walls at the Hoosier Dome. It was the band’s first trip to the Circle City but certainly won’t be their last. The group was just booked to come back later this month and open for Houndmouth March 23 at Radio Radio. Following the Hoosier Dome show, the band was kind enough to answer a few questions from IndyRockLive.

IRL: You’ve been playing together for about 4 years now, correct? How did you land on your sound – maybe call it ragged glory mixed with elements of decades past?

KS: Yes, 4 years. The sound developed from listening to old and new records. Our friendship outside of the band helped us accept each others creative differences, which help to make up our sound. We just try to keep it real and not force anything.

IRL: Nashville is well known for its vibrant music scene. Would you say your proximity to the city has informed your songwriting?

KS: Nashville new and old has influenced our music. Since we’ve started touring we’ve been able to be influenced from other towns and their scenes. But we do agree you can hear “Nashville” in our music. It’s not just country music. It’s all kinds.

IRL: I’ve seen a few references to the Black Keys as it relates to the band’s sound, but my feeling is you have your eye on greater themes, similar to the Drive-By Truckers. Where do you see the band’s progression going forward?

KS: We don’t try to sound like anyone. We’ve been compared to a lot of different bands. Some of them we’ve never heard of before. We just try to do our own style. But as far as moving forward we’d like to tour more and record more albums.

IRL: I love how the album was produced to include that rough-around-the-edges feel. Would you polish it up more on the next record if you had a bigger budget or do you intend to maintain the current aesthetic?

KS: We just give the songs the feel they need to have. Whether it’s a rougher feel or a more polished feel doesn’t depend on our budget as much as it does what feels right from song to song or album to album.

IRL: How has your live show developed since you began and how do you see it evolving?

KS: It has changed. It tends to change from night to night, and I’m sure it will continue to. There’s never really any telling what’s going to happen on stage, so we just tend to go with it where feels right.

The Kingston Springs hits Austin this week for the SXSW Music Festival. Find out where they’re playing and check them out.

Indy Rock Live Top 8 Concerts of 2012

I attended 79 concerts in 2012. That’s a lot of time in places like Radio Radio, White Rabbit Cabaret, Old National Centre, and Melody Inn. But there’s little I would trade the lost sleep or ringing ears for. Live music restores me. It grants me a unique euphoria that, as I get closer to 40, becomes too infrequent.

Can I keep up that pace in 2013? Probably not, especially as my business expands. (Indy Rock Live is still, simply, a hobby.) I do, however, plan to book 10-12 shows in the new year — the first is the legendary Ken Stringfellow at the Do317 Lounge on February 11 — and rely on more contributors. I like to think what this site provides is a window into all the great music that passes through Indianapolis. If I can encourage even just a handful of you to get up off the sofa a few more times, then I’ve been successful. For the thousands of readers that stop by each month, thank you. Keep on going to rock shows.

Below are my Top 8 of the year in alphabetical order with links to my original write-ups.

Band of Skulls w/ Boom Chick – The Vogue, August 6, 2012: Fuzzed out, sweaty rock didn’t come much more pure and muscular than this show. Band of Skulls were hot and Boom Chick — since renamed Crushed Out — were a whirlwind of rockabilly punk electricity.

Delta Spirit w/ Waters — Radio Radio, March 24, 2012: Delta Spirit was great, but Waters was revelatory. Formed from the ashes of Port O’Brien, Waters delivered the single-best opening set of the year. And their passion and fire channeled directly into Delta Spirit’s raucous set.

Drive-By Truckers — The Bluebird (Bloomington), October 21, 2012: I’ve lost track of how many times I’ve seen the Truckers live now. Though they’ve never let me down, this one was spectacular. An unbelievable set list, a packed club, and, what would turn out to be one of John Neff’s final shows, equaled perfection.

Elliot BROOD w/ Pack AD — White Rabbit Cabaret, March 8, 2012: The surprise of the year. A pair of Canadian bands with no track record in Indianapolis left it all on stage. The result? A hot, foot-stomping, hootenanny. Fantastic show that resulted in many new fans.

Kishi Bashi — Joyful Noise, May 23, 2012: The show of the year. Touring in support of full-length solo debut 151a, Kishi Bashi in the cozy confines of the Joyful Noise space in the Murphy Building was intimate, engrossing, and unforgettable. A perfect concert experience.

Nada Surf w/ Waters — Deluxe, June 23, 2012: One of my favorite bands. And with the addition of Doug Gillard on guitar, a live juggernaut. Waters, for the second time in 3 months, was incredible. But the moment of the evening came after the lights went up. As 20 or so people huddled around the merch table, band leader Matthew Caws came out with an acoustic guitar and played Blizzard of ’77 to the crowd. A moment I’ll never forget.

Okkervil River — Upland Brewing Company (Bloomington), August 31, 2012: A great band delivering on all fronts. Add the outdoor beer garden environment that didn’t hold back on intimacy and it equaled a terrific night in Bloomington.

Stars — Deluxe, October 4, 2012: The most party-like concert atmosphere of the year. The band performed with passion and the audience returned the love. That euphoria I mentioned earlier? Stars was a perfect example.

What were your favorite shows of the year?

Jason Isbell and the 400 Unit – The Vogue 11/1/2012

“Jason Isbell! Man, that guy is the real deal!”

My friend’s line above pretty much sums up Thursday night’s show at the Vogue. Isbell and his band the 400 Unit are a well-oiled rock machine, seamlessly flowing between songs of gritty guitar rage like Try and nuanced singer/songwriter gems like Tour of Duty.

The Vogue was one of the first dates for his “Stop Fucking Around and Play Outfit” tour, and a lead up to his live record’s release on November 20. Isbell’s last stop in Indy was back in 2009 at Radio Radio, so this was my first opportunity to hear songs from 2011′s Hear We Rest in the live setting.

Band changes since the last time around include Isbell now handling all guitar parts and the addition of fiddle player/fiance Amanda Shires — she joined the band on stage mid-way through after finishing a show she dubbed “bad-ass as hell” down in Fountain Square. Her insertion introduced a jolt to the dynamic, adding feistiness to songs like Codeine and the obligatory Outfit.

Isbell’s cuts from back in his Trucker’s days still elicit the biggest response. Set closer Never Gonna Change, which blended into Jimi Hendrix’s Stone Free mid-way through, had the audience bouncing. Decoration Day is a timeless anthem with powerful, swelling peaks, but also a reminder that it’s the kind of song Isbell hasn’t put out since he went solo. The new stuff is fantastic, but Isbell can write those sweeping epics with the best of them.

The whole show was terrific but I’d say the highlight was the back-to-back-back shot of melancholy melody that was Goddamn Lonely Love, Streelights, and the Magician. If someone in the crowd was looking to fall in love last night, it would have happened during that string.

Nice night in Broad Ripple and great to see Isbell again. Hope it’s not another three years before he swings back around.

Were you there? What did you think of the show?

Set List:
Go It Alone
Try
Tour of Duty
Heart on a String
Decoration Day
Dress Blues
Grown
Hey Pocky-A Way
Goddamn Lonely Love
Streetlights
The Magician
In a Razor Town
Alabama Pines
Outfit
The Blue
Never Gonna Change/Stone Free

Encore:
Codeine
Like a Hurricane

More Rock Show! Jason Isbell Returns to Indy!

A number of great concerts on the calendar this week, including legendary power popper Paul Collins on Tuesday at Radio Radio, John Fullbright at the White Rabbit the same night, and the fantastic Kathleen Edwards at Radio Radio on Thursday. But the show of the week is Jason Isbell‘s date at the Vogue on Thursday, his first appearance in Indianapolis since 2009.

The former DBT-er has carved out an exceptional catalog since busting out on his own, recently winning an Americana Award. Here We Rest, his 2011 album, was one of my top 10 of the year. Thursday’s show is in support of the upcoming release of his first live album, Live from Alabama, out November 19. Titled the “Stop Fucking Around and Play Outfit” tour, Isbell and his band the 400 Unit are guaranteed to make a righteous ruckus, pulling songs from his three albums as well as those written during his Trucker days. Below is his mean cover of Patterson Hood’s The Assassin.

What shows are on your radar?

Drive-By Truckers – The Bluebird, Bloomington 10/21/2012

If you ever have doubts about the power of live music, get yourself to a Drive-By Truckers show immediately. No band, outside Bruce Springsteen, delivers at such a high level so consistently. DBTs are one of the few that I forgo the earplugs to bask in the cranial crunching power and fury of the ROCK.

The show Sunday night at the Bluebird in Bloomington was one more in the Truckers legacy of live show classics. I’ve lost track of how many times I’ve seen them now, but this one ranks as one of the best. Without a new album to support, the band put together a set tailor-made for fans. And despite it being the only time I’ve seen the group when they didn’t play Lookout Mountain nor Let Their Be Rock, the omissions didn’t matter.

From the opening chords of classic The Living Bubba to the very end, the Bloomington crowd was saturated with 2 hours of guitar love. Truckers leader Patterson Hood was having fun, the Stroker Ace Mike Cooley was cool as ever, and new bass player Matt Patton was fully into the live vibe. The most notable change, however, was the increased prominence of Jay Gonzalez’ organ and keyboard. Everybody Needs Love was more soulful than I recalled, and The Southern Thing had some serious swing.

The on the spot set list had perfect ebb and flow, but if I had to pick favorites, I’d go with the best version of Where the Devil Don’t Stay I’ve ever heard, the dark, menacing Your Daddy Hates Me, and encore starter Butholeville, which morphed into Springsteen’s State Trooper about 2/3 through.

Unbelievable show and easily a top concert of the year.

Were you there? What did you think?

Set List:
The Living Bubba
Women Without Whiskey
Santa Fe
Carl Perkins Cadillac
Everybody Needs Love
Three Dimes Down
Three Great Alabama Icons
The Southern Thing
Where the Devil Don’t Stay
Used to Be a Cop
Self Destructive Zones
Play It All Night Long
Get Downtown
Sinkhole
Uncle Frank
Your Daddy Hates Me
Zip City

Encore:
Buttholeville w/State Trooper
Marry Me
Hell No, I Ain’t Happy
People Who Died

Here Comes the Rock Show – Drive-By Truckers Back in Indiana

Central Indiana has no shortage of great shows hitting the area in the next 5 days. White Rabbits tonight at Radio Radio, John Spencer Blues Explosion with Crushed Out at White Rabbit Cab on Sunday, and Dinosaur Jr. at the Bluebird in Bloomington on Monday are all top-notch options. But the show that is guaranteed to make your heart swell with rock ‘n’ roll love and your brain explode with cathartic euphoria is the great return of the Drive-By Truckers.

Patterson Hood, Mike Cooley, the everlovin’ EZB, and company are set to hit the Bluebird stage in Bloomington Sunday night with openers, Glossary, and you can put your money down that you’ll witness one of the best live experiences on the planet. No set list; just guitars, sweat, passion, and whiskey that combined will make you realize once again the true power of the ROCK show.

I’ve seen the Truckers about a half a dozen times now, and each show has been a glorious blast. One show in particular, from back in 2005, is one of my all-time favorite concerts. In a nutshell, it was the first show I attended after the birth of my daughter. As much joy as she brought me, I still struggled with all the new responsibilities of being a father. That night, the Drive-By Truckers pulled me out of my funk and renewed my soul like only the best rock can do.

Looking for that spiritual infusion? The place to be Sunday isn’t church — it’s the Bluebird in Bloomington for the amazing Drive-By Truckers. Details here.

Futurebirds & Henry Clay People – Deluxe 7/10/2012

Sometimes you need to be in a nearly empty room to appreciate the full impact of live music. Though it’s obviously not ideal for the bands on stage, the lack of distraction enables a level of focus that allows the power of the songs to wash over you. Less than 20 people were on hand at Deluxe Tuesday night for Futurebirds and Henry Clay People. But those in attendance caught a vibrant, no-holds, fuck ‘em all ROCK show that was a reminder of how great passionate music can be for your soul.

The Henry Clay People have been knocking out short bursts of mayhem for about six years now. I last witnessed their go-for-broke style as openers for the Drive-By Truckers a few years back. Not much has changed since, which was refreshing. HCP’s punk energy and manic nuggets of 180-second pop were precision shots of audio endorphins. Focusing on newest album Twenty-Five for the Rest of Our Lives, the band tore through a 45-minute set. Standouts included EveryBandWeEverLoved and Friends are Forever, along with For Cheap or for Free’s Two By Two. Lead singer Joey Siara worked the mike like an even more intense Craig Finn, at one point even hopping down off the stage to exchange high-fives with the audience. They were a blast.

Futurebirds, another DBTs disciple, were next and equally impressive. With four guitars, including a pedal steel, the band delivered an additional layer of sound in their southern rock vibe. Futurebirds exchanged HCP’s punk attitude with more of a focus on melody and mood, employing some great vocal harmonies and early My Morning Jacket-like psych rock touches. Tracks like Johnny Utah — Point Break is a B-movie classic — and Ski Chalet from 2010 release Hampton’s Lullaby were swirling, hooky amalgams of foreboding menace and beauty. I hadn’t listened to the band much prior to the show, but I suspect spending some time with the long-player will be quite rewarding.

Indy was host to several shows Tuesday night, so it’s unfortunate this one didn’t find a full audience. That said, those who were there were treated to something special.

Blast From the Past: Drive-By Truckers – The Vogue 5/19/2005

I’ve lost count of how many times I’ve seen the Drive-By Truckers (DBTs) over the years. But this show was particularly memorable — it was the first concert I attended following the birth of my daughter.

As anyone with children will tell you, no matter how much you prepare for a newborn, you’re never truly ready. All the books you read and advice you get can take you only so far. The truth is that it’s overwhelming. Life no longer revolves around you. Taking care of a baby for the first time is humbling, scary and wonderful.

For three months, my life was all about the little one. Opportunities for solid sleep were precious. The idea of going out to a show was too much to process. Slowly, however, a routine began to develop. Taking care of her got easier. Concerts, finally, were back on the table, and this was a perfect one with which to reconnect.

The Truckers were still touring in support of The Dirty South, so it was at the peak of their three-guitar attack featuring Patterson Hood, Mike Cooley and Jason Isbell. DBTs never have a set list and the guys trade off opportunities to lead. All-time classics played that night included Ronnie and Neil, Zip City, Outfit, and Sink Hole.

The entire show was phenomenal, the set building steadily for almost 2 1/2 hours. And as each song was played, I felt like so many of my worries were being carried away by the energy and passion of the band. By the time they reached the pinnacle of the night, set closer Let There Be Rock, I experienced a catharsis that only the best live music can release. I left the Vogue revitalized. The Truckers had blessed me with the power of RAWK. I went to sleep that night, ears ringing, with a smile on my face.

The DBTs greatest hits album, Greatest Hits 1998-2009, comes out in few weeks. If you’re not familiar with them already, it’s the perfect place to start.